After the great success of Love. Art meets Love, the unique art exhibition that had a turnout of 150thousand visitors in six months, mainly youngers, the Chiostro del Bramante continues to follow its original ideas proposing, once again, a remarkable exhibition of original artworks. The art exhibition will highlight the differences in individual perception of the artworks. The audience will have this experience guided by the poetical voice of some of the most important and provocative contemporary artists.
Sometimes breaking the rules doesn’t necessarily mean misbehaving, but expanding rules boundaries. A rule that the Chiostro del Bramante follows in its schedules is proposing “out of the box” exhibitions, in which originality is always the base idea of the project.
The Chiostro del Bramante has turned out to be, nationally and internationally, a point of reference for contemporary art. On this basis, it has developed the exhibition that will take place from the 23rd ofSeptember 2017 to the 25th of the February 2018. The name was chosen Enjoy. Art meets Amusement, not only indicates a different way of experiencing art but also aims to create space for the artworks of worldwide known artists. Therefore, many of the artworks are site-specific, designed and built specifically for this venue. The Chiostro’s organization- led by DART- sums, to the creativity of the exhibition, a remarkable productive effort presenting inedited artworks.
Among other great artists Alexander Calder, Mat Collishaw, Jean Tinguely, Leandro Erlich, Tony Oursler, Ernesto Neto, Piero Fogliati, Michael Lin, Gino De Dominicis, Erwin Wurm, Hans Op de Beeck, Studio 65, Martin Creed, Ryan Gander, teamLab, protagonists of the last century and the third millennium, are going to present their artworks. They are all linked by the pursuit of amusement, intended as its etymological meaning: “driven elsewhere”.
Elsewhere, meant also as “other from itself” and the desire of getting lost in art is the common basis of the artists who are going to exhibit at Enjoy and whose art pieces will lead the audience through an invisible path in which the spectator will be able to see the artworks from different perspectives and therefore sense different perceptions.
Edited by Danilo Eccher
“Pleasure, game, fun, excess dimensions- says Danilo Eccher, the exhibition’s curator– have always been fundamental elements in art. Art drowns in sorrow but feeds on pleasures. An illusion is a transparency that misshapes reality, it’s a semblance in which everything is possible, suggesting either the doubt of a riddle or the smile of a surprise.”
When visiting Enjoy start from Alexander Calder’s sculptures, then lose yourself in Leandro Erlich’s mirror maze and then dive into Martin Creed’s art installations or even in TeamLab’s illusory light-games in which the audience becomes unavoidably part of the artwork. At last, let Tony Oursler’s creepy and indiscreet eyes chase you, and then meet Erwin Wurm’s deformed bodies. From one artist to another, from one hall to another the Chiostro del Bramante is going to become the place where to discover a whole new reality, that exists in every artwork (some of which huge). But then again, this realty might not even really exist.
As Paul Klee said, “Art does not reproduce the visible; rather, it makes visible what not always is.”
From the 23rd of September 2017 to the 25th of February 2018
EXHIBITION ORGANIZED AND PRODUCED BY
DART Chiostro del Bramante
With the patronage of
Roma Capitale – Assessorato alla crescita culturale
Sovrintendenza Capitolina ai Beni Culturali
Ministero degli Esteri
Roma Assessorato alla Crescita culturale
Ambasciata dell’ Argentina
Ambasciata dell’ Austria
Ambasciata del Brasile
Ambasciata della Svizzera
JTI Media Partner
Corriere della Sera Sponsor
The Merchant of Venice Media Coverage
Wanted in Rome
ARTE.it Setting up project
KEY Comunicazione Setting up
Tagi 2000 Graphic
Quattrozeroquattro Internal graphics exhibition
Key Comunicazione Educational project and guided tours
Zeranta Edutainment srl Audioguide
Zeranta Edutainment srl Catalog
Silvana Editoriale Ticket office
DART Chiostro del Bramante Ticket online
from Monday to Friday 10.00 – 20.00 / Saturday to Sunday 10.00 – 21.00(ticket office closes 1h earlier)
Extraordinary openings 1st November 10.00 – 21.00, 8th December 10.00 – 21.00, 24th December 10.00 – 17.00, 25th December 16.00 – 21.00, 26th December 10.00 – 21.00, 31st December 10.00 – 19.00, 1st January 10.00 – 21.00, 6th January 10.00 – 21.00 (ticket office closes 1h earlier)
Tickets online ticket purchase : www.ticketone.it
Full price ticket € 13,00 (audioguide included)
Reduced ticket € 11,00 (including audioguide); University students (with ID and university badge or with a copy of the receipt of university tax payments); people with disabilities; tourist guide with badge | € 7,00 (including audioguide) children from 6 to 11 years old | € 5,00 kids from 2 to 5 years old.
Open € 15,00 (including audioguide), online purchase not available. Allows entry on any date and time slot.
Family ticket € 30,00 (including audioguide for everyone) 2 adults with 3 children (up to 11 years old)
Groups € 11,00 each min 15 max 25 + booking and microphone € 30,00
Schools min 15 max 25 Primary school € 5,00 + booking € 20,00 Elementary school € 5,00 + booking and microphone excluded € 30,00 High School € 5,00 + booking and microphone excluded € 30,00
Educational workshop € 120 min 15 max 25 (tickets fares, booking and microphone excluded)
Guided tours min 15 max 25 – Schools € 80 | Adults € 100 | Guided tour in foreign language € 110 (ticket fares, booking and microphone excluded)
Free entry (audioguide included) children up to 1 years, carers (1 per group), Teachers visiting with students (2 per group), people who accompany a disabled person, people with invitation, Chiostro del Bramante card users, reporters with badge after asking for press credentials to : firstname.lastname@example.org
Informiamo la gentile clientela che, in ottemperanza alle disposizioni anti Covid-19,
il museo e la caffetteria rimarranno chiusi FINO A NUOVE DISPOSIZIONI.
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